In the same way the shirt wrinkles were built up and smoothed down. I will construct the head. Using the Turn-around sheet I’ll measure the height and width of the circle for the head.
Lump up some warm soft clay in about the same shape, and as before start smoothing it down, broader strokes at fist, finer finishing strokes to smooth it.
Looking at the original character and making relative measurements form the control art I will etch out the main landmarks of the face.
I want to fix some of the wonky elements of the original sculpt, but not too much. The character’s personality lives in some of his crude lines and a-symmetries.